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"Inert words and pictures working together with reader consciousness to create a holographic Sensurround emotional experience. What else?". (after G.M.) p>
Marvel And DC Present Featuring The Uncanny X-Men and The New Teen Titans #1, 1982, cover by Walt Simonson and Terry Austin
(via themarvelageofcomics)
Batman: Year One (1987), by Frank Miller & David Mazzucchelli.
(Source: jthenr-comics-vault)
Damian Wayne, ese gran hallazgo de Grant Morrison, soltando una de sus habituales punch lines en Batman Incorporated vol. 2 #1 (dibujado por Chris Burnham).
(Source: parrasaurus)
Proceso creativo de la portada de Batwoman #10, by J.H. Williams III.
Portada de Batman #11, by Greg Capullo. Vía: Scott Snyder’s Facebook.
A really nice unused rendition of Clark’s transition into Superman for All-Star Superman.
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our maps begin with the time point— without duration or span, it contains all possibility. by simple geometry, we extend the point to create a line. the timeline of universe-zero from beginning to end.
we call this line space a. vanishing point stands at its terminus. but there are other timelines, for time extends not only forward and back but laterally also.
and so the plane time— space b. an inmense cosmic loom of converging and separating timelines. each track a new vibration, a separate universe, a superstring on a mighty fretboard.
an infestation of hyperfauna has been detected. the local timeline terminates in 7 minutes 14 seconds.
"The Return of Bruce Wayne #2 (2010), by Grant Morrison & Frazer Irving.
Batman Incorporated #4, by Grant Morrison & Chris Burnham (2011).
Batwoman #3, pág. 1, by J.H. Williams III.